• Home
    • About >
      • News & Reviews
      • Resources
      • Support Our Work
      • Mobile Archiving Service
  • Research
    • Place and Memory
    • Regarding Peter
    • The Discarded Archive
  • Contact
  • Home
    • About >
      • News & Reviews
      • Resources
      • Support Our Work
      • Mobile Archiving Service
  • Research
    • Place and Memory
    • Regarding Peter
    • The Discarded Archive
  • Contact
CARIBBEAN.MEMORY.PROJECT
  • Home
    • About >
      • News & Reviews
      • Resources
      • Support Our Work
      • Mobile Archiving Service
  • Research
    • Place and Memory
    • Regarding Peter
    • The Discarded Archive
  • Contact

Browse by family names

 Browse family names using the A to Z index below.
A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  XYZ ALL NAMES
​

M.
MC BURNIE, BERYL EUGENIA
Dancer, La Belle Rosette, Beryl McBurnie, Trinidad Dance, Queen of Caribbean Dance, 1950 Carl Van Vechten Image
Dancer La Belle Rosette. Photographed by Carl Van Vechten in 1950.
BIOGRAPHY

Born November 2 1914; died March 30 2000.
​

Beryl McBurnie is a legend who danced across the stream of history and changed the culture forever. Almost single-handedly, she orchestrated the cultural awakening that brought the first steelband on stage, put folk culture into the mainstream and imbued the independence movement with a sense of cultural confidence in the indigenous arts. 

An exciting performer, the dancer billed as La Belle Rosette set New York stages on fire. But personal achievement alone was not enough for a woman committed to birthing a nation. 
​
Beryl McBurnie’s story began at the family home on 69 Roberts Street, Woodbrook, where her passion to perform and capacity for organization were evident in the backyard shows she put on during her student days at Tranquillity Girls’ Intermediate and Teachers’ Training College. Her first job as a teacher gave full rein to her love of dance, music and theatre. Her education continued out in the eld with folklorist Andrew Carr while he researched local culture and traditions.
​

.In 1938, she left Trinidad to study dance at Columbia University in New York where she studied under Martha Graham, met the great Black American actor Paul Robeson and worked on Broadway. Home on holiday in 1940, she pulled together a troupe of amateurs to produce A Walk Through The Tropics, featuring the neighbouring Invaders Steelband, making it the first time Pan was put on stage. It played to sell-out crowds, proving that she had hit a rich vein of interest in local culture. 

Her crusading work inspired Rex Nettleford to found the Jamaica National Dance Theatre Company, succoured Nobel Prize writer Derek Walcott in his early years in Trinidad and set the template for generations of dancers. She travelled the length and breadth of the country and knocked on every door, raising money, solving problems and seeking support for the Arts. In November 1948, she fulfilled a dream when Paul Robeson laid the foundation stone of the Little Carib Theatre at Roberts St, Woodbrook, launching the country’s first permanent theatre and the Little Carib Dance Company. Her opening production of Carnival Bele featured a J’Ouvert band dancing ballet to steelband music. Other notable productions were Talking Drums, Sugar Ballet, Caribbean Cruise and Parang. For her contribution to dance and the Arts, Beryl McBurnie received many awards and honours including an honorary doctorate from UWI (1976), and her country’s highest honour, the Trinity Cross (1989). 

Source:  National Icons of Trinidad and Tobago.

AWARDS
  • Doctor of Laws, The University of the West Indies
  • Humming Bird Gold Medal, The Republic of Trinidad and Tobago
  • Trinity Cross, The Republic of Trinidad and Tobago

DOCUMENTS
Found on Newspapers.com
Picture
Found on Newspapers.com
Picture

TIMELINE

AUDIO RECORDINGS
FAMILY TREE
FOUND PHOTOGRAPHS
These images were found by Dr. Kevin Browne during a visit to Ms. Mc Burnie's Folk House in St. James in 2015. The Folk House had fallen into disrepair and had been vandalized and inhabited at various times by the homeless. The importance of the discovery of this  photographic archive cannot be understated as the Folk House was sold and demolished about a year later. Who knows what other archival treasures were lost in the demolition?

THE FOLK HOUSE - BERYL MCBURNIE'S RESIDENCE & PERFORMANCE SPACE

Falling to pieces.

A photo posted by Dawn Cumberbatch (@dbatchak) on Jun 19, 2014 at 1:40pm PDT

Curtain call.

A photo posted by Dawn Cumberbatch (@dbatchak) on Jun 19, 2014 at 11:07pm PDT

Backstage.

A photo posted by Dawn Cumberbatch (@dbatchak) on Jun 21, 2014 at 7:59am PDT

A Book in Beryl McBurnie's House.

A photo posted by drbrowne™ (@drbrowne) on Oct 26, 2014 at 7:24pm PDT


ADDITIONAL SOURCES
Beryl McBurnie - Caribbean Biography Series by Judy Raymond
Beryl McBurnie - African American Registry
Postcards from Manhattan: The Portrait Photography of Carl Van Vechten (Marquette University, Raynor Memorial Libraries)
Beryl Mc Burnie (Tumblr)
Judy Raymond, "Beryl McBurnie: The First Lady of Dance", Caribbean Beat, Issue 20, July/August - 1996
Outlines of the dances of Trinidad Unknown Binding – 1958 by Beryl McBurnie
Cradle of Caribbean Dance: Beryl McBurnie and the Little Carib Theatre 
– 1983 by Molly Ahye
 "McBurnie, Beryl", Encyclopedia of African-American Culture and History.
Beryl McBurnie, T.C. -MInistry of Community Development, Culture, and the Arts
The Trinidad Express, 12 April 2000. "People of the Century: Beryl McBurnie
Biography of Beryl McBurnie, NALIS Trinidad and Tobago
The Flowering Of La Belle Rosette, 2008-12-22. 
Obituary by Stephen Bourne, London Independent, 8 July 2000.
Pearl Connor, "Beryl McBurnie" (obituary), The Guardian, London, 29 April 2000.
Trevor Carmichael, Passport to the Heart: Reflections on Canada-Caribbean Relations. Jamaica: Ian Randle Publishing, 2001.
National Awards Recipients 1969 - 1979, NALIS.
McBurnie lived to dance | The Trinidad Guardian Newspaper, Guardian.co.tt. 2012-01-04.
Working for the Yankee Dollar: Calypso and Calypsonians in North America, 1934-1961
Mention in Pearl Primus' Dance Timeline  
Shango Sacrificial Ritual" :Beryl McBurnie and Lorna Pierre (Smithsonian Folkways) - Read Liner Notes
​‘Convenient Outrage’ in Trinidad & Tobago Over Demolition of Dance Pioneer Beryl McBurnie's House

Home
 People
MILLINGTON, JANICE

About 
Contact Us
Forums
Privacy Policy/Terms of Use
Help/FAQs
Make A Donation
Resources
Site Map

GET EMAIL updates!

EMAIL ADDRESS
SUPPORT OUR MISSION-
​DONATE NOW!
Follow Caribbean Memory Project
Picture
Picture
Picture
Picture

Creative Commons License
The Caribbean Memory Project is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
All archives remain the property of their owners, and these owners have legal rights. They are included in this site as a courtesy. Please respect that.
For more information on what this license enables and prohibits, go here.